Everyone This Christmas Has a Secret by Benjamin Stevenson; Book Review

 

Everyone This Christmas Has a Secret by Benjamin Stevenson
My rating: 4 of 5 stars

If murder mysteries have rules, so too do Christmas Specials, which the universe has kindly obliged here. You’ll find ahead Santa-fied clues aplenty, and don’t rule out characters having to dress up in silly costumes for some tangentially related plot reason, which I will satisfy in a minor turn as Rudolph. And of course, by the end of these things, the detective has to learn the true meaning of the word Christmas. So we’ll get there too.

A quick festive novella for Ernest Cunningham fans, Everone This Christmas Has a Secret manages to tangentially follow all the seasonal special rules in Stevenson's witty way, while still in keeping with the Golden Age mystery rules. Ernest is called to solve a seemingly impossible mystery just before Christmas and steps into a world of professional tricksters, each with their own secret.

The plot is captivating and true to the Ernest's word, the readers get enough clues along the way to try and piece the puzzle together. The story provides a pretty strong foundation on which to build everything else, though not all characters are sketched out solidly. I enjoyed Stevenson's witty writing and sense of humor in this one; the blatant references to Christmas have to be forgiven I suppose.

And for those wondering if any aspect of formatting plays a role here -
In keeping with an accidental theme— my first case involved a full stop, my second a comma—this may well be the first mystery ever solved by Comic Sans.

Thanks to NetGalley, Mariner publishing group and the author for an ARC in exchange for an honest review.

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[3/4 star for the premise and the whole book; One star for the story arc; Half a star for the characters; One star for the writing; Half a star for the world-building and description- 3 3/4 stars in total, rounded up to 4 stars.]


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Le Fay by Sophie Keetch: Book Review

 

Le Fay by Sophie Keetch
My rating: 3 of 5 stars

And they should fear me, the power I possessed, and the bright, ravenous rage that now fuelled my every breath. From that moment onwards, even I did not know what I was capable of.

Sophie Keetch's Le Fay tracks Morgan's journey from her ambiguous morality to in the first book Morgan Is My Name to... still ambiguous morality, even with the incredible premise, through all her losses suffered, despite the number of times she threatens to burn everything, and against all the potential antagonists.

Like the first book, there are some good secondary characters, but all the antagonists are one-dimensional men... the King of Gore returns of course, but even Merlin is portrayed as weirdly one-dimensional, and it takes some imagination to fit a potentially jealous credit-stealing male academic mentor like Merlin to a brilliant student like Morgan into the lecherous misogynist trope.

This book could have explored more of Morgan's relationship with Arthur and Guinevere, and how it devolves, but all we hear is the number of times Morgan says Arthur was her dear brother and she his trusted advisor. It would have been great to actually see Morgan help Arthur with any of the various aspects of running a kingdom, but we only see her help plan a tournament at the beginning of the book while trying to avoid Guinevere. Accolon's return starts off childish squabbles between them, which might have evolved into a mature relationship, but given the many number of times we hear that, it gives the exact opposite impression. And finally, we really should have seen Morgan explore her magic and study healing to the fullest extent here, but this is overridden by trying to blame Merlin for introducing dark magic to Morgan. Morgan le Fay's magic should have been the one thing that was completely hers!

In short, could have, would have, might have, should have is my review.

And all of this in Keetch's writing style, which I enjoyed in the first book, but was just too descriptive in this book.

To hear him tell it so plaintively was to feel it as the truth—Arthur’s truth, different from mine but no less lived and felt. I gazed across at this man, this King, my brother, his eyes shining silver with grief. His argument was convincing and logical, and blisteringly, devastatingly wrong.

Thanks to NetGalley and Penguin Random House Canada publishing group for an ARC of this book in exchange for an honest review.

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[3/4 star for the premise; Half a star for the characters; Half a star for the story arc; 1/4 star for the writing; 3/4 star for the world-building- 2 3/4 stars in total, rounded up to 3 stars.]


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All Systems Red by Martha Wells: Book Review

All Systems Red by Martha Wells
My rating: 4 of 5 stars

It's wrong to think of a construct as half-bot half-human. It makes us sound like the halves are discrete, like the bot half should want to obey orders and do its job and the human half should want to protect itself and get the hell out of here.
As opposed to the reality, which was that I was one whole confused entity, with no idea what I wanted to do, what I should do, what I needed to do.

Martha Wells has done an amazing job with making the construct Murderbot, as they call themselves in The Murderbot Diaries, completely empathizable! And this is coming from someone who doesn't like the robots-take-over-world trope. But Murderbot, doesn't care about the world, and does their job half heartedly, while devoting most of their free processing time to entertainment. Being a construct doesn't mean they are devoid of feelings or emotions however, and complex ones like social anxiety too. Working security with a team of scientists who don't just leave it alone gives space for a lot of character development.

It's tough to do inner monologues well, but it's great when done well and I really enjoyed Wells' writing. The book is a short novella with them escaping danger as the base plot, and more page space was devoted to characterization than world-building. But I didn't mind that, as the story could have been happening on any outer planet common in Sci-Fi. I'm looking forward to the rest of the series!

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[3/4 star for the premise and the whole book; One star for the characterization; Half a star for the world-building; 3/4 star for the story; One star for the writing - Four stars in total.]

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And Then There Were None by Agatha Christie: Book Review

And Then There Were None by Agatha Christie
My rating: 5 of 5 stars

I had written this book because it was so difficult to do that the idea had fascinated me. Ten people had to die without it becoming ridiculous or the murderer being obvious. I wrote the book after a tremendous amount of planning, and I was pleased with what I had made of it. It was clear, straightforward, baffling, and yet had a perfectly reasonable explanation; in fact it had to have an epilogue in order to explain it. It was well received and reviewed, but the person who was really pleased with it was myself, for I knew better than any critic how difficult it had been.

- Agatha Christie, And Then There Were None

If I had to recommend one book by Agatha Christie to anyone, or even just one mystery, it would be And Then There Were None. With such a perfect locked room (island) premise, and with her brilliant execution of the whole story, Christie really had every reason to be pleased and proud of this book! And for the world to still think of her as the queen of mystery.

What's left to say?
Christie had a good psychological grasp of her ten well-sketched characters, shown as brief glimpses into their trains of thought. Apart from the prevalent suspense and suspicion, the paranoia that can set in when they realize they're in danger, Christie does a great job showing the devolvement of the rules of society and position over the course of the book. As a modern day reader, I was actually a bit surprised how many 'rules' were actually stuck to - but this is one of the reasons I like reading Christie and other writers of her time, we can actually see a good representation of her time and the society then.

The writing is simply masterful - we see everything of essence and more, brought across to the reader in less than 300 pages! The best way to enjoy this book and the story arc is to go in blind if possible, as I did. The epilogue explains the mystery, along with the very few clues scattered through the book. But the book itself is a perfect locked room mystery.

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[One star for the premise and the whole book; One star for the story arc; One star for the characters; One star for the writing; One star for the world-building and description - Five stars in total].

What Feasts At Night by T. Kingfisher: Book Review

What Feasts at Night by T. Kingfisher
My rating: 4 of 5 stars

If this was a fairy tale, it was the kind where everyone gets eaten as a cautionary tale about straying into the woods, not the sentimental kind that ends with a wedding and the words, “And if they have not since died, they are living there still.”

What Feasts At Night by T. Kingfisher is the second book in the Sworn Soldier series, in which Alex Easton returns to their hunting lodge to find the caretaker dead, learns about the local superstition regarding ghosts appearing in dreams, confronts their belief/ non-belief in the supernatural and chooses to do everything they can to protect their friends.

Kingfisher's terrific world-building continues in this second book, this time leaning more on the supernatural. The characters retain their deadpan humour however and their interactions are still fun to read!

The story is fast paced, showing how belief in the supernatural is viewed by different characters. The writing weaves superstition, dreams, hallucinations and internal battles brilliantly, emphasizing survival instinct and acceptance of the battle to win.

It can’t have worked, I thought. You can’t really kill someone in a dream. This isn’t just a dream, though. It’s the war.

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[One star for the premise and the whole book; Half a star for the characters; Half a star for the story; One star for the writing; 3/4 star for the world-building - 3 3/4 stars in total, rounded up to 4 stars.]

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What Moves The Dead by T. Kingfisher: Book Review

What Moves the Dead by T. Kingfisher
My rating: 3 of 5 stars

I looked across the tarn to the house and sighed myself.
It was not a promising sight. It was an old gloomy manor house in the old gloomy style, a stone monstrosity that the richest man in Europe would be hard-pressed to keep up. One wing had collapsed into a pile of stone and jutting rafters. Madeline lived there with her twin brother, Roderick Usher, who was nothing like the richest man in Europe.

What Moves the Dead by T. Kingfisher is a slightly creepy retelling of the Gothic Poe original The Fall of the House of Usher, in which we see the protagonist Alex Easton visit their friends Madeline and Roderick Usher, get introduced to mycology, identify the cause of some strange behaviour in the wildlife there and help the Ushers in dealing with it.

The retelling seems to be more or less faithful to the original story and characters, though we see Kingfisher's characterization skills in the sworn soldier Alex, their valet Angus, the very British mycologist Miss Potter and the American Doctor Denton. This retelling is supported by some terrific world-building - not at all supernatural, but still alien enough to be horrifying - in explaining the Fall, literally and figuratively.

The dead don’t walk. The dead don’t walk. If they did, then … then … I don’t know what. Something dreadful.

The tone of the writing is horror with a healthy (or unhealthy) amount of creepy. Kingfisher still manages to infuse the writing with her deadpan humor, which I enjoyed. The most deadpan character would be Alex's world-weary horse Hob, with the valet Angus being a close second, and Alex's relationship with both is a comfort.

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[Half a star for the premise and the whole book; 3/4 star for the characters; Half a star for the story arc; Half a star for the writing; 3/4 star for the world-building - 3 stars in total.]

Everyone On This Train Is A Suspect by Benjamin Stevenson: Book Review

 

Everyone on This Train Is a Suspect by Benjamin Stevenson
My rating: 3 of 5 stars

“Thank God we’re (crime writers) just inventing it! If one of the six of us was to die right now, you’d have five suspects who all know how to get away with murder.”

The premise of Everyone On This Train Is A Suspect by Benjamin Stevenson is exactly that - one of the authors at a writer's festival happening on a train is murdered and everyone else on the train is a suspect, including all the other writers who've done their research on how to get away with murder. Ernest Cunningham, one of the invitees for his book Everyone In My Family Has Killed Someone, tries to solve the mystery by banking on the individual expertises of all the writers, work on his next book, inject some romance into the proceedings, and also (less importantly) manages to defend his use of adverbs and learn to pronounce denouement.

If you think you don’t already know the rules to writing a murder mystery, trust me, you do. It’s all intuitive. I’m writing this in first person. First person equals survival. The rules are simple: nothing supernatural; no surprise identical twins; the killer must be introduced early on and be a major enough character to impact the plot. To prove the point, I’ll tell you that I use the killer’s name, in all its forms, exactly 106 times from here.

The plot and the character arcs fulfill the promise made by this premise and kept me hooked enough to finish the book. I particularly enjoyed Stevenson's style of writing as he emulates the Golden Age mysteries, but with his own breaking-the-fourth-wall flippant humor. Ernest's (Stevenson's) perspective in describing the setting and all the players involved initially was good, but his arc from a disinterested detective to an active player who stood to lose a lot as the stakes got higher was more satisfying!

I will point out that one inadvertent mimicry is the curious coincidence that both cases are solved by a piece of punctuation. Last year it was a full stop. This time, a comma saves the day.

I generally enjoy writers and actors breaking the fourth wall, if subtly done. There was quite a lot that worked in this book, like the little pronouncement about the comma at the beginning of the book. I will admit I kept a look out for suspicious commas and maybe even errant semi-colons.

I also see the point in making sure that the killer is a major character and has enough of an on-page presence. What I did not enjoy was keeping an active tally of the number of times each character was mentioned! Not to forget the number of writers on the train at any given time. The rules followed by the Golden Age mystery writers were to promote one purpose: To allow the reader the satisfaction of deducing the killer on their own, based on everything written that far. This constant counting of the number of times any given name appeared in the book did not promote any rational or logical thought towards figuring out the mystery and kept detracting from the reading experience.

However, we soon get to
The De-noo-moh, not Dee-now-ment (duh)
“I have to go through everyone’s motives and alibis publicly,” I said. “It’s basically a requirement of the genre.”
“Does it usually take this long?” All the crime writers in the room said simultaneously: “Yes.”

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The rating for this book is 3 1/4 stars, rounded down to 3 stars as some of the clues given by the author while breaking the fourth wall annoyed me.

[3/4 star for the premise and the whole book; Half a star for the character arcs; One star for the plot/ story arc; Half a star for the world-building and description; Half a star for the writing - 3 1/4 stars in total.]

Quiz: How many adverbs do you spot in this review? 😉

Everyone In My Family Has Killed Someone by Benjamin Stevenson: Book Review

 

Everyone In My Family Has Killed Someone by Benjamin Stevenson
My rating: 4 of 5 stars

Everyone in my family has killed someone. Some of us, the high achievers, have killed more than once.
Have I killed someone? Yes. I have.

The first book in the Ernest Cunningham series, by Benjamin Stevenson, follows through on it's title and recounts the killings as a satirical play on the mysteries from the Golden Age. There are multiple mysteries, apart from the original event from a few decades ago that sets everything in motion, and kept me guessing (some correctly!). The setting for this book is an almost snowed-in family reunion and the book follows Ernest, the expert publisher of 10 Easy Steps to Write Crime Like You Lived in the 1930s and Golden Age to Your Golden Page: How to Write a Mystery, as he tries to unravel them before the body count gets too high.

The narrative style has a flippant humour that fans of Knives Out and/or Only murders in the building might relate to. We get plenty of Ernest's comments as he earnestly tries to follow Ronald Knox's ten rules for the murder mystery club. Having recently read a lot of Agatha Christie and Dorothy L. Sayers, I enjoyed this particular style of narration. I'm looking forward to the rest of the series!

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The rating is 3 1/2 stars, rounded up to 4 stars for Goodreads as the series is intriguing.

[3/4 star for the premise and the whole book; One star for the writing; Half a star for the characters; 3/4 star for the story; Half a star for the world-building/ description - 3 1/2 stars in total.]

I'm Afraid You've Got Dragons by Peter S Beagle: Book Review

 

I'm Afraid You've Got Dragons by Peter S. Beagle
My rating: 4 of 5 stars

The warning came in the form of a great wind, sudden and cold, sweeping the western mountains on a perfectly bland and cloudless summer day.

I'm Afraid You've Got Dragons is the story of people coming together to face this challenge, but more than that, it's the story of these teenagers realizing that they are not who their roles force them to be, and trying to figure out who they are in the face of this danger, what they need and what they want.

Peter S. Beagle's writing is straightforward, though quite descriptive and I think the book is accessible to pre-teens and early teens also. The world-building is more focused on the dragons than on their kingdoms, which I didn't mind.

It is the character development and their individual arcs which really carried the book for me, and the story is very much character driven. I enjoyed seeing Princess Cerise's arc, ostensibly interviewing princes but teaching herself to read, sword fight and even spitball in secret! Prince Reginald also turns out to be a solid character, who doesn't want to be a hero but finds himself to be quite heroic if the situation demands it. Robert's arc from an inherited job of dragon exterminator to not is particularly engaging!

The dragon's gaze held him in a grip far more powerful than that of the wizard, and once again he cried out - or thought he did, "Who am I? What do you want of me?" 

Thanks to NetGalley and Saga Press publishers for providing me with an ARC in exchange for an honest review.

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The rating for this book is 3 1/2 stars rounded up to 4 stars as the book and the whole delivers a good read.

[Half a star for the premise and the whole book; One star for the characters; One star for the story; Half a star for the writing; Half a star for the world-building and description - 3 1/2 stars in total].

The Witchwood Knot by Olivia Atwater: Book Review

 

The Witchwood Knot by Olivia Atwater
My rating: 4 of 5 stars

The hundred eyes of Witchwood Manor loomed above, grinning through torrential rain.

The Witchwood Knot by Olivia Atwater is a dark faerie tale with a Gothic ambience - wherein Winifred Hall untangles the dark menace behind Witchwood Manor, finds out information regarding the mysterious disappearance of her once-protector and rescues the kidnapped young heir to the Manor, all while conquering her inner demons and befriending the hostile faerie butler.

Winifred is a strong and clever lead character, bringing iron knives in her chateleine and lies with her governess guise to deal with whatever is tormenting Witchwood Manor. She is beset by both human and faerie menaces during the course of the fast-paced story and her character growth in dealing with them is doubly remarkable.

Though this book can be read as a standalone, the stakes grow higher as the story progresses and I'm looking forward to the next books in this series (Victorian Faerie Tales). I'm also intrigued enough by the layered world-building and several tidbits in the storyline to read the other books in this world (Regency Faerie Tales). Atwood's writing with the Gothic vibes complete the package!

Thanks to NetGalley, Starwatch Press publishers and Olivia Atwater for providing me with an ARC in exchange for an honest review.

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The rating for this book is 3 1/2 stars, rounded up to 4 stars for Goodreads and NetGalley as I'm interested in this series.

[Half a star for the premise and the whole book; Half a star for the story arc; One star for the characters; Half a star for the writing; Half a star for the world-building and description - 3 1/2 stars in total].